|
|
| |
July
2008 - Issue 91 - Pottery |
|
|
| |
 |
|
'Shortly
after the Second
World War Mr.
Norman Taylor, a
travelling
salesman from
Coventry,
settled down to
life in Cornwall
on Liskey Hill,
Perranporth. He
is said to have
seen pots being
thrown at Lakes
Cornish Pottery,
Truro, sometime
in the late
1940s and was so
inspired that he
enrolled in a
local pottery
course in Truro
to get a feel
for this most
ancient of
crafts...' |
|
|
|
 |
| |
'The history of
what we now know
as the Dicker
Potteries goes
back to the
mid-18th century
when there was a
very public
falling-out in
the Sussex
Weekly
Advertiser
between the
owners of the
two potteries on
Dicker Common in
Sussex. This
took the form of
claim and
counter-claim
over the
relative merits
and superior
quality of their
pottery. Both
were using local
clay to produce
brownware for a
local domestic
market as well
as bricks and
tiles...' |
|
 |
|
|
|
 |
| |
 |
|
'The pottery of
William Henry
Lake and Son
spans a period
of just over 100
years, with four
generations of
the same family
involved in the
production of
Cornish
earthenware, or
‘cloam’ as it is
known in
Cornwall. The
pottery’s
origins can be
traced back to
the mid 19th
century, and the
manufacture of a
range of hand
made domestic
wares such as
pitchers,
salting pots,
pans, flower and
chimney pots. ...' |
|
|
|
 |
| |
'The indirect
connection
between these
two potters from
different
generations but
sharing the same
tradition is
well known. The
parents of
Michael Cardew
(1901- 1983)
were friendly
with Edwin Beer
Fishley
(1832-1912), and
owned many
Fremington
pieces which
lived in the
family’s holiday
home at Saunton
in North Devon.
Cardew had
distant
childhood
memories of his
fascination with
seeing Fishley
throwing during
summer visits by
his family to
the nearby
pottery....' |
|
 |
|
|
|
 |
| |
 |
|
'Our aim with
'Tomorrow's
Treasure' is to
help increase
public
enthusiasm for
the many
qualities of
contemporary
handcrafted
wares right here
on our doorstep.
Over the
following pages,
we showcase the
work of West
Country artists,
potters and
galleries, who
offer
spectacular
artworks which
are collectable
today and will
no doubt be the
antiques of the
future...' |
|
|
|
 |
|
|
|
|
|
|
|