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April 2008
- Issue 88 - Glass |
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'The ‘Ysart
Brothers Glass’
was formed,
loosely basing
its designs on
those of Monart,
using some
identical
shapes, whilst
adapting others.
It is generally
believed that
during the early
period of the
company’s
history the
colours used
were deeper and
more vibrant...' |
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'The paperweight sitting
on my desk is something of an excuse for one.
It’s a cheap Victorian novelty job with a
picture of an elephant stuck on the bottom, the
distinctly odd-looking creature with its trunk
wrapped around a zoo keeper. But its appeal lies
in its oddness. Clearly the man who drew the
elephant had never been to a zoo in his life...' |
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'During the 20th
Century, despite
being a period
of immense
innovation,
British glass
designers rarely
achieved the
level of status
and recognition
that was given
to their
counterparts
such as those
working in
Italy, France
and the
Scandinavian
countries.
Despite this
lack of
recognition many
British
designers had
long and
successful
careers which
profoundly
changed the way
we view and use
glass in our
everyday lives...' |
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'Transparency.
Radiance.
Subtlety.
Perfection.
Turning a piece
of wonderful
Holmegaard art
glass to catch
the light, it is
difficult to
know how to
describe the
unusual
weightiness of
the glass, the
superb clarity
of colour, and
its unique
creativity of
form in mere
words...' |
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'Industrial arts
and crafts, from
the one-off art
glass piece to
mass-produced
ware. Excerpt
courtesy of WMF
Ikora & Myra
Glass published
by Arnoldsche
The entire range
of Ikora and
Myra glass
created by WMF
between the
1920s and 1950s
is shown in 167
reproductions
from
contemporary
sale catalogues
as well as
hundreds of
illustrations...' |
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Description |
Stock Code |
Price |

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Issue
88 -
April 2008 -
Glass |
AE88 |
£2.49 |
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