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Apr 2006 (66)

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  April 2006 - Issue 66 - Decorative Arts & Design  
 

 

Shapland & Petter. Superb hand crafted copper and metalwork decorations. By Daryl Bennett.

'During 2005, the Arts and Crafts furniture of the Barnstaple based Shapland and Petter company was the subject of two important public exhibitions in the UK. The Museum of Barnstaple and North Devon hosted the first ever Shapland and Petter exhibition in May and June 2005, followed by the Cannon Hall Museum in Barnsley which held an exhibition from July to October 2005...'

 

 

Create an inspired shrine in your home, with fabulously carved cabinets and elaborately painted trunks bursting with symbolism.

'My first encounter with Tibetan furniture came in the early 1990s, on a visit to Victor Lamont's trade warehouse, Global Village at the back of Martock. While my client searched for tables and artefacts for her Swiss nightclub, I was distracted by half a dozen fabulously decorated chests and trunks, that were being packed up to send back to Hong Kong from where they had come the previous year. Victor having failed to find a market for them in the UK...'

 

 

 

 

Hunting for antiques in Honiton, Devon.

'Honiton nestles in the delightful Devon countryside, rich in farmland and watered by the river Otter, whilst within easy access of the busy A303. Visitors to the area will find the town an accommodating place to stay, ideal as a base from which to explore the surrounding antiques shops in the neighbouring towns and cities. Honiton itself has been noted as Devon’s ‘Antiques town’ for many years; in fact, it has been said that there were more antiques shops here a few years ago, than any other town in the country. ...'

 

 

Innovation, egalitarianism and a new optimism fired designers in the 1950s, who created furnishings that stand as beacons in the history of the domestic interior. By Constance King.

'While the art movements of the previous generations were supported by the expensive purchases of the avant garde, the furniture designers of the 50s and 60s directed their work towards a much wider social spectrum. Design was important and was discussed in newspapers and magazines as well as schools: indeed, so momentous was the effect of bad design that students held protest marches against buildings in pseudo-Tudor style...'

 

 

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Issue 66 - April 2006 - Decorative Arts & Design

AEX66 £2.49

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