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September 2005
- Issue 60 -
Jewels |
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'Forget
tentative gold
lockets and
discreet chains,
the current
fashion is for
bold, in your
face effects.
Whether the
glamour is
achieved through
fine stones or
cheap resins and
plastics,
jewellery is
reverting to the
pizzazz of the
70s and 80s,
with the more
dramatic pieces
attracting
buyers, whose
primary
motivation is
adornment rather
than investment.
At antiques
fairs across the
country, some of
the most
exciting designs
are both
progressive and
encouragingly
cheap...' |
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'Not only was my
Grandad a
buffalo; but my
Dad was a moose!
They might also
have been a
Druid or an Odd
fellow, a
Forester or even
a Mason as these
were all names
given to the
highly respected
Friendly
Societies and
Fraternal
Societies from
the 19th
century. Some of
these societies
even date back
to the 18th
century...' |
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'From
Prehistoric
times jewellery
has played an
important role
as a symbol of
beauty and
power. However,
whilst the
glories of
ancient and
medieval
jewellery are
largely the
preserve of the
museum world,
there is still
scope for the
private
collector to
purchase
jewellery from
the Georgian
period onwards...' |
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'With a
reputation
second to none
during his
lifetime, Harry
Murphy was
arguably
Britain’s most
versatile and
innovative
jewellery
designer of the
first half of
the 20th century
and one of the
most influential
silversmiths of
the Art Deco
era. His
friends,
supporters and
clients included
major figures
from the worlds
of art, craft,
design and
education, for
example Sir
Edwin Lutyens,
Eric Gill, Henry
Wilson, Frank
Pick, Harold
Stabler and
Percy Jowett...' |
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'It’s easy to
see why these
intriguing
stones have
exerted such a
fascination over
the minds of men
- and of course
women - with
their flawless
brilliance.
There is a blaze
of fire at the
heart of every
diamond. For
centuries
diamonds have
been coveted
objects, prized
for their
lustre, their
extreme hardness
and the way they
catch and
reflect light,
making them
obvious
candidates for
jewellery to
impress...' |
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'A former
chairman of the
Torquay Pottery
Collectors
Society, Mr
Kenneth Hall,
who died
suddenly last
November was an
avid collector
of Torquay
pottery. He,
especially in
his later years,
concentrated on
Faïence wares
made largely by
Watcombe and
Longpark. His
absolute passion
was for scenes
with titles and
he loved to
visit the places
depicted and
find out their
history. Scenes
with animals
were also
favoured,
especially the
ones with funny
images...' |
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Issue
60 - September 2005 - Jewels |
AEX60 |
£2.49 |
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