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  July 2005 - Issue 58 - Fashion & Textiles  
 

 

A Stitch in time, collecting sewing accessories. By Margaret G Powling

'When art and engineering combine, the result is often something not only useful but also beautiful. Such is the case with many antique needlework tools and accessories. But it wasn’t always thus. Early man fashioned garments using thorns for pins and fish and animal bones as bodkins, forerunner of the needle. As time went on improvements to these implements were made and craftsmen produced more efficient tools...'

 

 

The National Trust invites us to the Officer and a Gentleman costume exhibition at Killerton House in Devon.

'The development of photography during the mid 19th century has left a resource for the study of menswear in the form of carte-devisite photographs which complements existing portraits, caricatures, fashion plates and tailor’s manuals. Information about etiquette, correct dressing and the latest fashion trends now proliferated in the press, but although it would have been considered un-gentlemanly to appear badly dressed and un-groomed, extravagance in clothing was regarded as vulgar...'

 

 

 

 

Tapestries. An appreciation by Count Charles de Salis.

'The word tapestry is sadly misused to describe embroideries, needle-point and the Bayeux tapestry. A true tapestry is woven on a loom; the warps, usually upright, being uncoloured and the wefts, brought in horizontally, having the appropriate colour. The weavers working to a cartoon, which had been produced by the designer...'

 

 

Hat Pins and Holders, Andy Violet shares the story of fasteners of such common use in the 19th century that very little has been written about them.

'The heyday of the hat pin was between the 1830’s and 1920’s when ladies abandoned their snug-fitting bonnets in favour of larger brimmed hats which were now fashionable. Without the ribbons with which the hat was tied under the chin, hat pins became a necessity. By the turn of the 20th century fashion dictated even larger hats, which ladies found unwieldy to wear, especially in a slight breeze...'

 

 

 

 

Baby Wore White, Robes for special occasions 1800-1910.

'Ever wondered about that baby gown that you’ve kept all these years, carefully wrapped in tissue, at the bottom of the wardrobe? Is it hand-made? When granny handed it over, she said it was over a hundred years old but was she right?...'

 

 

The Textiles of Lucienne Day.

'THE YEARS immediately after the Second World War saw Britain enjoy a period of immense creative output as the public clamoured for something new, brightly coloured and exciting. Successfully rising to this challenge was Lucienne Day, wife of formidable furniture designer Robin Day, who in the early 1950’s turned the field of textile design on its head and became a true pioneer...'

 

 

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Issue 58 - July 2005 - Fashion & Textiles

AEX58 £2.49

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